![]() ![]() If you disagree with any part of these terms and conditions, please do not use our website. If you continue to browse and use this website, you are agreeing to comply with and be bound by the following terms and conditions of use, which together with our privacy policy govern Discrepancy Records’s relationship with you in relation to this website. Whether you’veīeen onboard since the beginning or are new to the Ryley Walker universe, you’re in for a treat.Welcome to our website. ![]() Sounds great (mastered by Greg Calbi), looks great (artwork by Jenny Nelson and design by Michael Vallera). This Cme around, he’s doing it DIY-style, puang Course In Fable out on his own Husky Pants imprint. Walker has released his albums on a who’s-who of independent labels over the past decade - Tompkins Square, Dead Oceans, Thrill Jockey and Drag CityĪmong them. “Fuck me, I’m alive,” Ryley sings at one point, a moment of both disbelief and pure joy. Record, fresh air in the lungs, sun on your skin. Balanced with necessary doses of dark humor and oddball poetry, Course In Fable feels most of all like a life-affirming But it all came together relaCvely fast, thanks to demos, rehearsals and the kind of musical empathy that comes from years ofīeneath the wondrous interplay, you’ll find some of Walker’s most personal – if sCll typically crypCc - lyrics, hinCng at some of the trials the songwriter hasīeen dealing with in recent years. Listening to the interplay between Walker and these musicians and you might be fooled into thinking they’d spent a year roadtesCngĬourse In Fable’s songs. Tour with Walker he and Jewell are frequently astonishing, a buoyant-but-always-locked-in rhythm secCon, able to navigate someCmes dizzying turnarounds Bassist Andrew ScoJ Young (Tiger Hatchery, Health&Beauty) has logged many miles on Straighborward song-centric sets to blown-out improv extravaganzas. The freakishly talented drummer Ryan Jewell has performed with Walker for years now in a variety of seangs, from ![]() Bill MacKay (another Chicago mainstay)Īnd Walker have made two excellent instrumental duo records of interlocking guitars and warm give-and-take - a rapport very much in evidence To help put together these various puzzle pieces, Ryley assembled a band made up of several longCme collaborators. YouTube and balding gear heads on Craigslist.” Go figure.) (And speaking of weird, Ryley says that in addiCon to Genesis, much of the album’s inspiraCon comes from “Australian extreme scooter riders on Like Walker’s beloved Genesis, the pop element is never too far from the surface even when shit Unexpected direcCons but remain downright hummable. Tricky Cme signatures abound but feel as natural as can be. String secCons (arranged by Douglas Jenkins of the Portland Cello Project). But no maVer how complex it gets, the album is never overwhelmingly busy. (Walker half-jokingly calls it his “prog record”). Ryley walker vinyl full#Course In Fable’s songs are twisty, labyrinthine things, stuffed full of ideas The result is a rich, immersive affair - a headphones record if ever there was one. “I told him to take the mixes and have at it,” Walker says. But McEnCre was also inCmately involved with Course Here, he delivers the signature shimmering and prisCne sonics he’s become known for over the years. Seeing his name in an album’s liners is preVy much a trademark of quality.Īnother Windy City exile, McEnCre is based on the west coast these days, working out of the Portland, OR studio he’s dubbed Soma West. Mixer, can rightly be called a legend for his work with Tortoise, Stereolab, The Red Krayola, Jim O’Rourke and countless others over a prolific career that now John McEn:re, Course In Fable’s producer/engineer/ Last October, Ryley went straight to one of the primary architects of the Chicago sound to make the LP. To put it simply: Course In Fable is Walker’s best record yet, full of acCve imaginaCon and endless possibiliCes. Troubadour mode, it makes sense that he’s arrived at this point each LP has grown more intricate and assured, his influences disClling into something Even though he emerged at first in folkrock Walker spent his formaCve years in Chicago, absorbing those heady sounds and finding ways to make them his own. ![]() Mixing and matching indie rock, jazz, prog and beyond. The masterful Course In Fable, the songwriter’s solo effort,ĭraws from the deep well of that city’s ferCle 1990s scene, when bands like Tortoise, The Sea and Cake and Gastr del Sol were reshaping the underground, But his latest LP is a Chicago record in spirit. Ryley Walker Course In Fable Vinyl Ryley Walker currently resides in New York City. ![]()
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![]() EVERCAST VS CINESYNC FULLSee the complete list of features in ftrack Review’s latest updateįtrack Review's new features are planned to be implemented into ftrack Studio soon-ftrack's full production tracking, shot management, and media review platform ![]() New features for the power user, including tools to manage reviews from within the player interface. New toolbar features like ghosting, flip and flop, and resolution selection Some of the new features in ftrack Review include:Īn all-new interface designed to make reviews more free-flowingįaster, more streamlined and responsive reviews with fewer clicks, even when reviewing larger projects with lots of guests and notes The acquisition allows ftrack to focus on product development and innovation, and provide its customers with the best possible tools and solutions like ftrack Review and cineSync. cineSync 5 is available as a free extension for all cineSync 4 Pro users.įtrack was recently acquired by Backlight, a media technology company serving media, entertainment and video-forward customers with technology solutions that dramatically improve every step of the media content lifecycle. EVERCAST VS CINESYNC UPDATEftrack Review’s new free-flowing user experience makes for a more lightweight, accessible media review experience for creatives, while cineSync’s fundamental update addresses the evolving needs of VFX studios working today.īoth ftrack Review’s reimagined workflows and cineSync 5 are available to try today. ![]() ![]() STOCKHOLM, April 20, 2022-( BUSINESS WIRE)- ftrack, the developer of Academy Award-winning media review and team collaboration solutions for the creative industries, has launched significant updates to two of its flagship offerings: ftrack Review, the browser-based platform for interactive media review, and cineSync, the desktop media review solution heavily utilized by the film and television industries. Latest industry-leading innovations from ftrack bring a redefined user experience to more audiences, meeting the evolved demands of creative review and approval processes ![]() ![]() I can go into the program and manually give those words high scores in my list, so they get priority when I’m filling grids. The only real changes I make are when I add new, fresh words that I want to include in a crossword. PASCO: I have a basic word list, which I haven’t maintained a lot. I’ll check that list first when I’m filling a grid, whether that’s a themed puzzle or a themeless. I try to pay attention to interesting words and phrases that come up in everyday life and I’ll add those to a list on my phone using the Notes app. Since then, I’ve probably added many thousands of words by hand. Pasco dance the grid-filling tango.ĭER: My word list originally started as a few English dictionaries combined with words that had previously appeared in crossword puzzles. In addition, making sure that those entries are interesting and fun for solvers requires the strength not to fall in love with the words the constructor finds, because many of the entries may need to be replaced along the way if a section does not work.įilling a crossword is like a dance: one step forward, two steps backward and maybe a few steps to either side. Successfully achieving all-over interlock with words and phrases, as is required in American-style crossword puzzles, is not for the faint of heart. In Part 3 of “How to Make a Crossword Puzzle,” our constructors, Kevin Der and Paolo Pasco, tackle filling the crossword puzzle, perhaps the most detailed effort in the process. In Part 1 of the series, the constructors Ben Tausig and Finn Vigeland developed the theme, and the constructors David Steinberg and Natan Last set that theme in the grid and placed the black squares in Part 2. Not only does it run in the paper seven days a week with varying degrees of complexity, but you can also complete NYT Crossword puzzles online, and there’s even a video game adaptation of it for the Nintendo DS.Īs for the crossword puzzles being “sinful”… we’ll give you a clue.DEB AMLEN: We’re making great progress on our team-built crossword puzzle. Today, the crossword has moved far beyond its primitive origins. Fun fact: He’s the only “academically accredited puzzle master” in the world, holding a degree he designed himself in “enigmatology.” It’s such a specialized degree, there’s not even an entry for it on, but it stems from the word enigma. ![]() Shortz has gained widespread notoriety since that time, taking the puzzle to higher and higher heights over the years. ![]() Will Weng and Eugene Maleska followed in her footsteps before Will Shortz took the coveted reins in 1993. Since that time, there have only been four editors of the NYT Crossword puzzle, beginning with Margaret Farrar, who served as editor from the publication of the first puzzle until 1969. By 1950, the paper began running a crossword puzzle daily. The first puzzle ran Sunday, February 15, 1942, and it was, in fact, a primitive pursuit, (’s first definition for the adjective: “Being the first or earliest of the kind or in existence”), as they were the first major US paper to run a crossword puzzle. ![]() So, what absolved the crossword puzzle in the illustrious publication’s mind and made them eat their words? Reportedly, it was after the bombing of Pearl Harbor that Lester Markel, the paper’s Sunday editor at the time, decided the country could use some levity, primitive or not. In 1924, the paper ran an opinion column that dubbed them “ a primitive sort of mental exercise.” (Here, we’re inferring they meant primitive as in “simple unsophisticated”-’s ninth entry for the adjective) and a “sinful waste.” Harsh! When crossword puzzles first came about in the 1920s, the NYT turned up its nose at them. There are plenty of crossword puzzles in publications across the country, but when we think of the pinnacle of puzzledom (Not officially a word, but, perhaps, it should be?), the purveyors of the most preeminent puzzles, we bow to The New York Times (NYT).įor more than 75 years, the NYT crossword puzzle has been stumping readers with its clever clues and then sending them soaring when they finally fill in all the squares. ![]() ![]() It’s an uplifting pop concert with Christian overtones. The Tones: Remember when Acapella groups were all the rage in college? Well, this one is pretty great, with good stage presence and colorful costumes.Ī Brighter Day: Another great show. Also liked how the “story” set up in the queue area actually paid off during the climax of the ride. The family coaster (Dragonflier) is a short and sweet treat that’s much more thrilling than I expected, and our toddler spent a solid hour running and climbing around Hidden Hollow.įirechaser Express: A popular family coaster with forward and backward launches, many fun turns, and pyrotechnics. It’s a clever way to add a “Fantasyland” area (complete with character meet-and-greets) that feels completely at home with the mountain/hillbilly theme of the rest of the park. The theming is beautifully done and the big climactic drop is very satisfying. Wild Eagle: Excellent wing-coaster from B&M, with high speeds and a lot of scary “near miss” elements.ĭaredevil Falls: I love log-flume rides, and this is one of the best. Thunderhead: Great wooden! I was smiling the whole time, and loved the airtime that you get in the back row. Mystery Mine: Awesome hybrid of a spooky dark ride and a “weird” roller coaster that relies more on surprises and unique twists rather than high speeds. ![]() Their bass singer has one of the lowest ranges I’ve ever heard, and some of the songs brought us to tears. Kingdom Heirs: This Gospel Quartet (and back-up band) blew us away with their strong voices, friendly stage presence, and clever original songs. I experienced pretty much all of the “big” attractions, except for Drop Line (down entirely, and now closed pending investigation of a tragic death in Florida) and Lightning Rod (hour-plus wait times). ![]() ![]() Only major downsides are the high price (less than Disney, but more than Six Flags), and difficulty getting around the park (very mountainous, some very long stretches of walkway). The rides are similar in quality to what we had at Six Flags, but the theming and strong quality of the shows really set it apart. Dollywood is really a pretty impressive theme park. ![]() ![]() ![]() ![]() Rationale for the spatial distributions of the various island attributes is drawn from the available literature and canvassed in the text. Continental islands, 18 of the 1779 islands examined, are not included in maps showing the distribution of island attributes and types. Most common are reef islands (36 %) and volcanic high islands (31 %), whereas the least common are composite low islands (1 %). These attributes yielded eight island types: volcanic high and low islands limestone high and low islands composite high and low islands reef (including all unconsolidated) islands and continental islands. It is intended to be valid at a regional scale and based on two attributes: five types of lithology (volcanic, limestone, composite, continental, surficial) and a distinction between high and low islands. The principal aim of the classification is to assess the spatial diversity of the geologic and geomorphic attributes of Pacific islands. Reefs lacking islands and short-lived (<20 years) transient islands are not included. An earth-science-based classification of islands within the Pacific Basin resulted from the preparation of a database describing the location, area, and type of 1779 islands, where island type is determined as a function of the prevailing lithology and maximum elevation of each island, with an island defined as a discrete landmass composed of a contiguous land area ≥1 ha (0.01 km 2) above mean high-water level. ![]() ![]()
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